3D Work
2016
unglazed white talc earthenware with dark grey slip
17" h x 24" w x 18" d
pictured with the Diamond Bertoia chair, “For Whom The Moon” by Amanda Gentry and “Garfield Suite V” by Ted Stanuga
2017
wood fired stoneware with cobalt + manganese dioxide
5 ⅞” h x 11 ¼” w x 11 3/16” d
2015
partially glazed terracotta
21" h x 13 ½" w x 6 ½" d
pictured with Hans Wegner royal blue rocker and “Current of Niangua” by Hannah Perry Saucier
2017
fabric + buttons
22” h x 5 ⅜” w x 5” d
(1) pictured with Adrian Pearsall for Comfort Design lounge chairs, “Black Licorice” by Maura Segal and “Familiar” also by Camilla Taylor
(2) pictured with the lucite Milo Baughman side chair and “Familiar” also by Camilla Taylor
2017
fabric + buttons
26 ⅝” h x 6 ⅜” w x 6” d
(1) pictured with Adrian Pearsall for Comfort Design lounge chairs, “Black Licorice” by Maura Segal and “Familiar II” also by Camilla Taylor
(2) pictured with the lucite Milo Baughman side chair and “Familiar II” also by Camilla Taylor
2017
collage on panel
28" h x 20" w x 1 ¾" d each
sold as a triptych
detail shots of separate pieces available
designed by C. Jere for Artisan House
USA, c 1972
metal
17” h x 17” w x 5” d
the sculpture can sit on any surface, e.g. table, credenza
by Loet Vanderveen
bronze + patinated bronze
6 ½" h x 3" w x 9" d
sold as a set
signed + numbered 9 / 750 + 11 / 750
pictured with the Harvey Probber slipper chairs, “Treetops” by Slater Sousley, and “Lurch” by Bailey Fontaine
designed by Ron Fritts for RF Studios Inc.
c 1970s
mylar
30 1/16” l x 30 1/16” h x 3 ⅜” d
signed "Fritts" bottom left
sculpture
by Charles Law
USA, c 1969
walnut + metal
64 ½” h x 14” w x 14” d
pictured with a set of Cumberland Furniture benches
by Otto Brauer for Kastrup Holmegaard
Denmark, c 1960s
hand blown glass
20" h x 8" w x 8" d
pictured with the Jens Risom Model 2516 sofa, “As We Enter New Planes” by Nicholas Kriefall, Le Corbusier LC2 armchair, Kagan snail coffee table and a chinoiserie side table
sculpture
attributed to an unknown local Chicago designer
USA, c 1960s
wrought iron
24" h x 25” w x 6 ¼” d
example of American brutalism
by Jack Arnold
polished stainless steel + black matte steel base
31" h x 6" w x 4 ½" d
embossed signature on base
by Shirley Thomson Smith
USA, c 1970s - 1980s
solid bronze sculpture + wooden base
20" h x 16" w x 19" d
signed + numbered 2 / 25
designed by Curtis Jere
USA, c 1970s
brass
28" h x 32" w x 4" d
signed by artist lower right
designed by Antonio da Ros for Cendese
Italy, c 1960s
iridescent brown glass
8" h x 4" w x 5" d